Monthly ArticleThis
month's article features the making of a scroll.
The Scroll -
"Violinmaker" (March-April 1979)
One Saturday afternoon one
of Violin-World's makers sat quietly designing a scroll for a new cello he had just been
commissioned to make. Craftsmen find a particular pleasure in making their wares to order
and the violinmaker enjoyed thinking about the new cello that would be used by Phillip
Green in the Melbourne Symphony Orchestra.

The cello had already been
discussed the cello in detail - the shape of the scroll, the kind of purfling and what the
corners would be like, the sound for which Phillip was searching (and had already found in
another cello that had been made for the violinmaker's wife), the kind and colour of the
varnish, the kind of pegs, tailpiece and bridge.
Phillip is principal
cellist of the symphony and the new cello would need to be dependable, responding well to
either situation - solo or orchestra playing. It would need to be arched so that the sound
would be clear and carry well. Special pegs had been decided upon to provide ease of
tuning with a minimum of fuss and hardware. An ebony tailpiece would match the colour and
style of the Gilbert pegs.
The new scroll would be
larger and more masculine than the last cello scroll made. Later, after 26 hours of work
(see accompanying photographs), it would remind one of a beautiful sea horse with arched
neck.

The violinmaker finished
the design and took the wood from the shelf which he and Phillip had chosen for the
scroll. In the silence, one could hear the birth of a new cello.
view previous articles
|